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Film Terminologies

 
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MessagePosté le: Dim 5 Juin - 00:07 (2016)    Sujet du message: Film Terminologies Répondre en citant




Film Terminologies > bit.ly/1Pcd1xS















































Film Terminologies

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A vest redistributes the weight of the camera to the hips of the cameraman; a spring-loaded arm minimises the motion the camera; a video monitor frees the cameraman from the eyepiece. CUT A change in camera angle or placement, location, or time. Extreme long shot (ELS) The subject or characters are very much to the background of the shot. Between sequences the cut marks a rapid transition between one time and space and another, but depending on the nature of the cut it will have different meanings. webmaster filmland.com. Named after production manager Abby Singer, who would frequently call last shot of the day. Techniques involving light include backlight (silhouette), and under-lighting (light across a character form). In the early 1970s, first French and then British and American film theorists began applying psychoanalysis to film in an attempt to discuss the spectator/screen relationship as well as the textual relationships within the film.

Filmsite: written by tim dirks Twitter Facebook The greatest films The "Greatest" and the "Best" in Cinematic History www.filmsite.org . Filters - Transparent glass of gelatin placed in front of or behind a lens to control coloration; some filters cut out certain types of light (such as ultra- violet); others create a soft, hazy appearance, and still others provide a dominant color when used with color films. REQUEST INFO APPLY . Zoom Zooming either towards or away from an individual object (or multi-object ensemble), going e.g. documentary- Also an adjective or noun category used to describe a work of nonfiction. Since these films do not have mass-appeal, they usually do not play in mainstream theatres. The term can include the perspective given by the camera to the depth of focus, height and width of the particular object and action being photographed. thus, where the camera moves to, and the angle of the camera, makes visual sense to the spectator. In low key lighting, the key light provides much less of the total illumination.

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